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	<title>Paul Hardy Carter &#187; conceptual</title>
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		<title>Gallery opening like Coventry</title>
		<link>http://www.paulhardycarter.com//wordpress/gallery-opening-like-coventry</link>
		<comments>http://www.paulhardycarter.com//wordpress/gallery-opening-like-coventry#comments</comments>
		<pubDate>Sat, 07 Mar 2009 19:26:39 +0000</pubDate>
		<dc:creator>Paul</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[conceptual]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[gallery]]></category>
		<category><![CDATA[valencia]]></category>

		<guid isPermaLink="false">http://www.paulhardycarter.com/wordpress/?p=52</guid>
		<description><![CDATA[Some galleries are really extraordinary. The last opening we were invited to, at a gallery in Valencia that shall, for the moment, remain anonymous, was a typical example. The two of us wondered in past someone leaning nonchalantly in the doorway holding a plastic cup half full of wine, and who didn&#8217;t even glance at [...]]]></description>
			<content:encoded><![CDATA[<p>Some galleries are really extraordinary. The last opening we were invited to, at a gallery in Valencia that shall, for the moment, remain anonymous, was a typical example.
<p>
The two of us wondered in past someone leaning nonchalantly in the doorway holding a plastic cup half full of wine, and who didn&#8217;t even glance at me as I passed, into a very good little gallery space &#8211; quite small, but well finished and lit. There must have been about a dozen other folk there, clutching their plastic cups. We wandered about, had a look at the 5 or 6 pieces in the show (which were not bad, but included a couple of very large digital photographs that I can only describe as <em>conceptual</em>). This took us about 15 minutes.
<p>
Then we stood around, waiting for the gallerist &#8211; or the artist &#8211; to come and introduce themselves, tell us what it was about. Or at least offer us a plastic cup of cheap fizz. Nothing. Not even did anyone acknowledge us.
<p>
What&#8217;s up with these folk? What do they have a gallery for? To show and sell work? Or is it just some kind of toy, like a dolls house where they can re-arrange things and invite their friends to have a look?
<p>
We gave them another five minutes to notice us, and then left. Clearly nobody expects to sell any work from this gallery at any rate.</p>
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		<title>The V&amp;A photography gallery</title>
		<link>http://www.paulhardycarter.com//wordpress/the-va-photography-gallery</link>
		<comments>http://www.paulhardycarter.com//wordpress/the-va-photography-gallery#comments</comments>
		<pubDate>Wed, 21 Jan 2009 10:40:42 +0000</pubDate>
		<dc:creator>Paul</dc:creator>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[conceptual]]></category>
		<category><![CDATA[gallery]]></category>
		<category><![CDATA[london]]></category>
		<category><![CDATA[museum]]></category>

		<guid isPermaLink="false">http://www.paulhardycarter.com/wordpress/?p=17</guid>
		<description><![CDATA[I visited the small photography gallery in the Victoria &#038; Albert Museum a couple of weeks ago, and something&#8217;s been troubling me ever since. Many photographers complain that to get photos exhibited these days you have to print very large, in colour and, preferably, be &#8216;conceptual&#8217;. This is true, but then most gallerists have always [...]]]></description>
			<content:encoded><![CDATA[<p>I visited the small photography gallery in the <a href="http://www.vam.ac.uk/">Victoria &#038; Albert Museum</a> a couple of weeks ago, and something&#8217;s been troubling me ever since. Many photographers complain that to get photos exhibited these days you have to print very large, in colour and, preferably, be &#8216;conceptual&#8217;. This is true, but then most gallerists have always followed fashion.</p>
<p>The V&#038;A &#8211; which is not a contemporary photo gallery but a museum &#8211; currently has only a very small room for photography, but fully half of the pictures were less than 10 years old and (you guessed it) printed very large, in colour, and were conceptual.</p>
<p>Whether you like this type of work is, of course, a subjective matter &#8211; personally I can think of no other art form that, so soon after it&#8217;s creation, has concentrated so hard on making itself mundane &#8211; but surely the balance is wrong? Is the collection really so lacking in good pictures from the previous 150 years?</p>
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